Absolutely nothing is written about sexual except kisses. One thing about this book, however, was the fact that it's PG. But Kurland allows the heroine to cry and show utter embarrassment because it allows the hero a chance to comfort her and to grow closer to her.
This is a very simple thing but very rarely do authors pen about it. The heroine is attacked and as she's recovering, she had to wear a make shift diaper. I loved this book because it was about real people.
She sees inside of him and is willing to wait patiently for him to open up to her. She's often stealing his horse and running away, making the hero track her down and drag her back. Though he's argumentative and brisk, he goes out of his way to make the heroine happy. He never smiles, doesn't know how to be kind but despite this, he's so sweet. The hero is tortured by his abusive childhood and as a result he's very self conscious and unable to properly express his feelings. The story really picked up once they arrive at the castle when the two characters go from strangers bound together by chance to a reluctant friendship. He's surly, gruff and without the patience to deal with her as he's urgent to repair his keep. The heroine is thrust back in time and into the very unwilling arms of the hero. He would, if he hadn’t dropped a key he needs–or if he hadn’t just met the woman of his dreams in the last place he’d ever thought he would find her.What started out as a slow typical romance quickly turned into a fantastic paranormal historical romance. When he finds himself pushed through a portal into a different century, his good sense tells him to turn around and go home. Jackson Kilchurn, heir of a powerful medieval family, has spent his life scoffing at paranormal oddities.
What she hasn’t expected is to meet a man carrying a medieval sword who turns her world upside-down and leaves her with more questions than answers. She’s come to England for a fresh start, which she’ll get to right after she survives a family reunion at the feet of a spectacular castle.
Olivia Drummond is finished with the family business: no more mysteries, treasure hunts, or collectable anything made prior to the year 2000.
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